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Our Latest Fiction Articles:
Not Looking
by
Travis Craig
Excerpt -
At the California Pizza Kitchen, Reagan Airport, D.C., I sit at my table watching the counter and hope that the Chicken Caesar Salad sandwich just “up” is not mine because I don’t like the way it looks.
It’s mine.
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An Interview with Kathleen Alcalá
by
Rob Johnson
Excerpt -
My parents’
generation had to spend a great deal of time convincing people that
Mexicans were capable of holding jobs outside the level of farm worker or
menial labor, and part of this was showing an "advanced" view of the
world. In the forties and
fifties, this meant being very patriotic, giving your children
"American" (British) names, and not appearing to be too superstitious
or backwards. In other words,
it was a class thing, and being Mexican was equated with being lower
class. Of course it still is,
but the ability of the writers in this collection to look at these symbols
with irony, with affection and with an eye towards their aesthetic value
shows the growth of an artistic and intellectual sophistication in our
community.
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On Writing a Novel: Three Letters from John Clellon Holmes
by
James P. White
Excerpt -
You ask about the novel I'm working on; how do I approach it? Well, the kernal of the idea came to me a long time ago. It came first as a one-act play, which never got beyond the most desultory note-taking. A few years later, I realized that it was a novel--that is, that I was as much interested in the three main characters as I was in the "plot"-idea. It expanded itself naturally, still keeping the severe time-limit-actions of the play-idea, but fleshed out with backgrounds, a stronger, denser sense of miieu, flashbacks, and other subsidiary characters. It germinated for a long time while I was engaged in doing another book.
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A Crack in the Bubble
by
Richard E. Zeikowitz
Excerpt -
7 P.M. was announced by the discordant sounding of church bells throughout the old city of Zurich. John was making his way along a path that followed the canal which separated the two old sections of the city. There was a late summer chill in the early evening air; the sun, a low hazy ball settled somewhere out of view. John, well accustomed by now to the periodic outpouring of church bells in European cities, walked with his hands deep in his jeans pockets, looking out on the canal which emptied into a broad lake.
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Blood and Ceremony (from Treasures in Heaven)
by
Kathleen Alcalá
Excerpt -
"And then again, he allowed the bull to pass so
close to him, that it practically creased his trousers. He did not even flinch. Did
not even change expression. "
"They say it is his Indian blood that allows him to
remain so calm," said Humberto animatedly." They say that he does not care if he lives or dies. "
"If that were true," said La Señorita, "he
would be dead by now."
"Only on the third pass," Anslao went on, "did
he plunge the sword into the bull’s back, as smooth as butter. The bull did not even buck. It
looked up once, as though looking into his tormentor’s eyes, questioning
his fate, and slumped to the ground. The crowd was on it’s feet, throwing hats and cushions. They gave Ponciano two ears and a tail. "
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Emily Reed
by
Dan Rogers
Excerpt -
Emily
Reed died two weeks ago, and I only heard Monday.
She rated
an obituary in the New York Times, and I took notice, since it
was subtitled "Librarian in ’59 Alabama Racial Dispute." As
director of the Alabama Public Library Service Division, which lent
books to libraries throughout the state, Reed chose to allow Garth
Williams’ The Rabbits’ Wedding onto her shelves. From those
shelves, the imagination could and did easily see the book pass into
the hands of children. Most of Alabama’s literate children were, of
course, white. And the book, which I have never read, features the
nuptials of a black and a white rabbit.
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Typewriter, Photo-Collage, 2003 by Jules White
Life's Illusions Why Happiness Eludes Us
by
James C. McCormick
Excerpt -
I want to share with you some very personal experiences in the
belief that with this revelation will come an awareness that beneath
the very thin facade which we show our fellow man we are all of a
kindred spirit. The
battles we are fighting, which we think are uniquely our own, are
shared by all of us. I
hope that I cause you to have a feeling of love and understanding for
those around you that you have never felt before.
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An Interview with R.V. Cassill
Excerpt -
I assume that fiction wants to carry us to the heart of
experience as only language can. Language which is contemporary with the
event or that comes later. I mean fiction and poetry here. I was
thinking this week of Wordsworth’s Lucy poems, and the little
child. "What Can She Know of Death" is one of the poems in that
cluster, and Wordsworth keeps asking, "How many in your family?" and
she says, "Master, we are seven." And he says yes, but there are a
couple of you up in the graveyard, a couple of you went to America...
"Master, we are seven."
This is enduring poetry. It tells us
what fiction should and what poetry should about the nature of our lives
and the relationships within them. Or to take another poem. (Poems are
easier to talk about). "Lovely woman stoops to folly and finds too
late that men betray...What charm can soothe her melancholy ...What art
can wash her guilt away." What can she do to bring repentance to her lover is to die.
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